Academy Awards archive

Friendly Persuasion Oscar Nominations & Wins

Friendly Persuasion has 6 Academy Award records in the AwardWentTo archive, including 0 wins.

Wins recorded in the archive

No winning records for Friendly Persuasion are represented in this archive. Its recorded nominations are listed below.

All 6 award records

Counts reflect film-linked records in this archive. Historical, special and honorary awards may be included; these are not a verified competitive-award total. Years identify the source film eligibility year.

Friendly Persuasion: all recorded nominations and wins
Film yearCategory / credited nomineeRecorded result
Film year1956Best Supporting Actor
Credited nominee / recipientAnthony Perkins

Josh Birdwell

Nomination recorded
Recorded winner in this categoryLust for LifePaul Gauguin
Film year1956Best Director
Credited nominee / recipientWilliam Wyler
Nomination recorded
Recorded winner in this categoryGiant
Film year1956Original Song
Credited nominee / recipientMusic by Dimitri Tiomkin; Lyrics by Paul Francis Webster

Friendly Persuasion (Thee I Love)

Nomination recorded
Recorded winner in this categoryThe Man Who Knew Too MuchWhatever Will Be, Will Be (Que Sera, Sera)
Music and Lyrics by Jay Livingston and Ray Evans
Film year1956Best Picture
Credited nominee / recipientWilliam Wyler, Producer
Nomination recorded
Recorded winner in this categoryAround the World in 80 Days
Michael Todd, Producer
Film year1956Sound Recording
Credited nominee / recipientWestrex Sound Services, Inc., Gordon R. Glennan, Sound Director; and Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director
Nomination recorded
Recorded winner in this categoryThe King and I
20th Century-Fox Studio Sound Department, Carl Faulkner, Sound Director
Film year1956Adapted Screenplay
Credited nominee / recipientMichael Wilson
Source context

NOTE: Early in 1956, the name of blacklisted screenwriter Michael Wilson had been deleted from the screen credits of Friendly Persuasion by Allied Artists, the film's distributor, based on a 1952 agreement between the Screen Writers Guild and various production companies. That agreement gave studios the right to omit from the screen the name of any individual who had failed to clear himself before a duly constituted legislative committee of Congress if accused of Communist affiliations, as was the case with Wilson at the time. The Academy, in the awkward position of possibly conferring its highest honor on someone whose name had been omitted from screen credit, revised its bylaws at a special February 6, 1957, meeting. That revision, in essence, allowed that in such cases, the achievement itself could be eligible for nomination, but the specific writer would be ineligible. The following instructions were sent to Price Waterhouse & Co., Certified Public Accountants, who tabulated Academy ballots: \"...we ask that if, in tabulating the nominations ballots for Best Screenplay (adapted), Friendly Persuasion is one of the five nominations, you list the other four alphabetically by title and below: Friendly Persuasion - Achievement nominated, but writer ineligible for Award under Academy By-Laws.\" On February 17, 1957, the Academy's Board of Governors voted to instruct Price Waterhouse & Co. \"...to list five nominations, and in the event that one of these is declared ineligible under the By-Law provision, four nominations would appear on the final ballot.\" THIS NOMINATION WAS NOT INCLUDED ON THE FINAL BALLOT. (The bylaw was repealed by the Academy as \"unworkable\" on January 12, 1959.) On December 10, 2002, the Academy's Board of Governors voted to reinstate Mr. Wilson's nomination.

Award record — see source context

Who else was nominated?

Compare Friendly Persuasion with the film-linked nominees recorded in the same category and ceremony. Each performance or song keeps its own credit; winners are marked in gold.

Comparisons are shown only for unambiguous competitive results. Honorary awards, ties and groups with unresolved source notes remain in the award history above.

Best Supporting Actor 1956 film year · Ceremony 29
Best Director 1956 film year · Ceremony 29
Original Song 1956 film year · Ceremony 29
  • Friendly Persuasion This film

    Friendly Persuasion (Thee I Love)

    Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster
    Nominee
  • Julie

    Julie

    Music by Leith Stevens; Lyrics by Tom Adair
    Nominee
  • High Society

    True Love

    Music and Lyrics by Cole Porter
    Nominee
  • The Man Who Knew Too Much

    Whatever Will Be, Will Be (Que Sera, Sera)

    Music and Lyrics by Jay Livingston and Ray Evans
    ★ Winner
  • Written on the Wind

    Written On The Wind

    Music by Victor Young; Lyrics by Sammy Cahn
    Nominee
Best Picture 1956 film year · Ceremony 29
Sound Recording 1956 film year · Ceremony 29
  • The Brave One
    King Bros. Productions, Inc., Sound Department, John Myers, Sound Director
    Nominee
  • The Eddy Duchin Story
    Columbia Studio Sound Department, John Livadary, Sound Director
    Nominee
  • Friendly Persuasion This film
    Westrex Sound Services, Inc., Gordon R. Glennan, Sound Director; and Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director
    Nominee
  • The King and I
    20th Century-Fox Studio Sound Department, Carl Faulkner, Sound Director
    ★ Winner
  • The Ten Commandments
    Paramount Studio Sound Department, Loren L. Ryder, Sound Director
    Nominee
About these award records

This independent archive groups film-linked award records by film, credited name, category and eligibility year. The film year can differ from the year the ceremony took place. Ceremony numbers are shown where supplied by the records.

Each distinct performance, song or award credit remains a separate record, even when it belongs to the same film. Shared credits stay together. A person's page covers the name shown, without combining aliases or shared credits into a complete career total.

Totals can include honorary, special and historical awards alongside competitive nominations. Awards without a linked film are outside these page totals. Source notes and uncertain records are retained; category comparisons omit groups with unresolved notes, ties or conflicting identities.

For the official record, search the Academy Awards Database (opens in a new tab). Award Went To is an independent exploration tool and is not affiliated with the Academy.